“Road to Fame” Explores China’s Youthful Aspirations and Angst
Six pairs of eyes follow each single child in China says a teacher at Beijing’s prestigious Central Academy of Drama – parents and two sets of grandparents. That puts a lot of pressure on them to succeed.
In an economy undergoing dramatic change and slowing growth, the culture of competition long thought to be an artifact of western decadence and decline, quickly becomes the new norm. The striving for opportunity and material comforts has now become a common global culture.
Director Hao Wu’s documentary “Road to Fame”, which screened to a sell-out crowd at IFC Center as part of the DOC NYC film festival, explores these themes and more as he details the first ever Broadway-China collaboration on a student production of “Fame, the Musical”.
The subjects of the documentary reflect the hopes and fears of students faced with the daunting prospects of making a living for the first times in their lives – relatively sheltered university life colliding with class distinctions and the advantages wealth brings to any budding artistic career.
China’s “Generation Now” wants what it wants and expects to get it sooner rather than later – a not unfamiliar theme in modern “20-something” generations. At some point China will have its own version of “Friends” where the lyrics “my job’s a joke, I’m broke , my love life’s D.O.A.” will resonate as loudly there as it did for a decade and more in syndication in the U.S.
The film itself, in parts sympathetic and brutally honest about the future of performing artists chasing stardom reflects much of the musical’s own messages. Not everyone makes it. Talent takes you only so far. And who you know counts for more than anyone really wants to admit.
Perhaps most striking is the film’s acceptance in China itself as Hao hinted at a major broadcast sell in the mainland during the Q&A (the film received crowd-funding via Kickstarter and several grants). Xi Jinping’s “China Dream” rhetoric not withstanding, domestic interest in China’s own aspirational classes headline even state-run publications, a stark difference to the steel manufacturing output numbers of only fifteen years ago.
Potentially sensitive political undertones, including corruption and China’s one child policy, seep through in moments. But over the five years from original filming to final editing, China has changed. Luxury-goods sales are on the decline, attributed to the crack down on corrupt politicians, though cash cards are now the preferred currency of influence. The latest Communist Party conclave announced relaxed family planning restrictions, ostensibly an end to government forced abortions, clearing the way for officially recognized multi-child families.
Here “Road to Fame” captures those moments when youthful exuberance tempers with time as students face the brink of adulthood. One can only hope that China’s “gen now” matures into the next generation of reform where widening the door to opportunity for a broader spectrum of society becomes more the norm than the rhetorical exception – something the U.S. still struggles with itself.